The representational technique appears to be straightforward. The image doubles a selected rectangle of the “natural” landscape, just as paintings are supposed to do. Centered in the pane is a canvas with an apparently, transparent canvas. He paints a window looking out on a landscape. Oil on canvas.Īlmost 300 years later, René Magritte toys with this notion of the painting as a window on the world. (1660), The Painter and his Model as Klio. The distance separating us from the painter invites us to reflect on the artist’s viewpoint, his tools and media, his composition, and our own perception. We illustrated this model with Vermeer’s The Painter and His Model as Klio: the painter at his easel composing his image of a model, all nested within curtained framework of the painting we are viewing. Last week, we explored the Renaissance model of the painting as a window on the world.
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